Sometimes I prefer the aisles of Hobby Lobby's darling Fall decor over stepping outdoors, into Fall. I adore farmhouse-themed paintings and rustic welcome signs, but I don't like the messiness that comes with real farms. I find myself enjoying the idea of something rather than stepping into the reality of that something itself.
This week my daughters and I, with their children, got together on the four-year anniversary of my mom's death. We explored going to tea like we had done in the past to remember my mom, their grandma, who loved to give tea parties. Yet somehow we landed on the idea to visit a nearby farm to let the kids see animals and pick out pumpkins to bring home.
It was midday, and the sun glared, giving us no chance for cute kids-with-pumpkin photos. The pumpkins themselves were unappealing. Toy tractors set out for children to ride wouldn't roll on the wood chips they were placed on. And my grandchildren were noticeably uninterested in the farm animals (except the one pooping sheep that got their attention for a bit).
I went to the produce room to purchase something to support the farm. I found the produce to be, well, ugly. Grapes sat in a basket, and they were much smaller than grocery store grapes, with no fun packaging announcing, "I am a grape. Buy me!" The signs in front of each bunch of vegetables were not drawn in modern calligraphy but just written with ordinary handwriting. Apples were small and dull, peppers unimpressive in their presentation. I read a sign advertising olive oil. Olive oil I could buy. It would be in a bottle with a pretty label. But the olive oil supply was out.
Finally I saw a freezer containing grass-fed beef, so I purchased a pound of ground beef (with a SKU code on the packaging, which somehow makes it seem a step from it being too real).
I don't know why I was so repulsed by everything I saw at the farm. I give this farm thumbs-up on Facebook and follow it on Instagram, "loving" each picture posted. I've even enjoyed being there in the past. Perhaps I feel safer viewing it from behind the screen—cleaner, no dirt getting into my sandals, no harsh sun beating down on me, no animal smells or bodily functions.
This morning I'm remembering a family road trip from my childhood. I saw beautiful views, sitting in admiration while looking through the windows of our fully packed Volkswagen bus. Am I really seeing this lovely scenery, I wondered to myself, or does it not count because I am seeing it through this glass window? But when we got out of our van and stepped into the real, beautiful and ugly, dusty, windy, cold or hot place, I experienced what was real about all I saw. While I may have both liked and disliked some things about the place I got to enter into and explore, I always appreciated the real.
Our group traveled from the farm to an outdoor mall, where we enjoyed coffee. Karis had baked some of Grandma's cookies she shared with us. I then took the children on a ride in a fake train. My granddaughter stood up quickly, excited to see a water fountain out the window and bumped her head. She cried for her mama, who we could see through the window the entire train ride. My grandson had opted for a seat in the back car, away from us, joined by a fake skeleton. Just before the ride began, he came up to our car, and told me, "I was only a little, tiny bit scared of the skeleton," so he rode in the train car with me, a bit shaken.
Still pumpkinless, we said our parking lot goodbyes. My daughters and I noted that my not-animal-loving mom would have appreciated that we didn't have fun at the farm; not enjoying animals seemed a fitting way to honor her memory! We hugged, and I told them I would send money through a phone app so they could buy their own pumpkins at the grocery store. How "not real" can you get?
I later texted Karis and Megan, "Thank you for today. It was wrong in so many ways, which somehow made it perfect."
Perhaps memories of the day my mom died held enough reality that I necessarily had to reject the nitty-gritty, real stuff of this world for a day.
Sometimes I like fake. And sometimes that's OK.
Diane Mann, 2019
